Cecil B DeMille - traducción al francés
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Cecil B DeMille - traducción al francés

AMERICAN FILM DIRECTOR (1881–1959)
Cecil B. de Mille; Cecil B. deMille; Cecil B. De Mille; Cecil De Mille; Cecil Blount DeMille; C.B. de Mille; Mr DeMille; Mr. DeMille; Cecile B Demille; Cecil DeMille; Cecil B DeMille; Cecil B. Demille; C.B. De Mille; DeMille Pictures Corporation; DeMille Pictures Corp.; DeMille Productions; Cecil de Mille; Cecil B. DeMille filmography
  • alt=A multi-leveled brick building with many whitepaned windows with skycraper visible in the top right corner
  • alt=DeMille posing on a chair with a pen in hand
  • alt=Sepia toned advertisement for "For Better, For Worse" with a headshot of DeMille at the top
  • bookplate]] from his library
  • alt=DeMille standing at a graduation ceremony in graduation robes among others sitting and applauding
  • alt=Full body photograph of DeMille wearing a blakc suit, holding a top hat in one hand and the CBS radio microphone in the other
  • alt=Closeup of DeMille leaning on a setpiece
  • alt=DeMille on a stand, holding a megaphone, giving commands to crew members which surround him and several film cameras
  • alt=Actor playing Moses wearing a red robe and holding his arms out to the sides with dark clouds behind him
  • alt=Two large white crypts next to each other in a cememtery
  • alt=Five well-dressed men seated or standing at various levels
  • alt=Yellow, house-like barn with a large white museum sign
  • alt=Large pagan temple film set with a large idol in the middle, and surrounded by hieroglyphics and red drapery
  • The Squaw Man]]'' (1914) full film
  • DeMille as a young man, c. 1904

Cecil B DeMille      
Cecil B DeMille (1881-1959) Academy Award-winning American film director and producer, co-creator of the first feature film, director of "The Ten Commandments" (1956)

Definición

Cecil
AN object-oriented language combining multi-methods with a classless object model, object-based encapsulation and optional static type checking. It distinguishes between subtyping and code inheritance. Includes both explicit and implicit parameterisation of objects, types, and methods. ftp://cs.washington.edu/pub/chambers/cecil-spec.ps.Z. ["The Cecil Language: Specification and Rationale", C. Chambers, TR 93-03-05, U Wash (Mar 1993)]. (1994-10-28)

Wikipedia

Cecil B. DeMille

Cecil Blount DeMille (; August 12, 1881 – January 21, 1959) was an American film director, producer and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of the American cinema and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and member of Prince of Orange Lodge #16 in New York City.

DeMille was born in Ashfield, Massachusetts, and grew up in New York City. He began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was also the first full-length feature film shot in Hollywood. Its interracial love story made it commercially successful and it first publicized Hollywood as the home of the U.S. film industry. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic, The Ten Commandments (1923), was both a critical and commercial success; it held the Paramount revenue record for twenty-five years.

DeMille directed The King of Kings (1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. The Sign of the Cross (1932) is said to be the first sound film to integrate all aspects of cinematic technique. Cleopatra (1934) was his first film to be nominated for the Academy Award for Best Picture. After more than thirty years in film production, DeMille reached a pinnacle in his career with Samson and Delilah (1949), a biblical epic which became the highest-grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward "neo-naturalism", which tried to portray the laws of man fighting the forces of nature.

He received his first nomination for the Academy Award for Best Director for his circus drama The Greatest Show on Earth (1952), which won both the Academy Award for Best Picture and the Golden Globe Award for Best Motion Picture – Drama. His last and best known film, The Ten Commandments (1956), also a Best Picture Academy Award nominee, is currently the eighth-highest-grossing film of all time, adjusted for inflation. In addition to his Best Picture Awards, he received an Academy Honorary Award for his film contributions, the Palme d'Or (posthumously) for Union Pacific (1939), a DGA Award for Lifetime Achievement, and the Irving G. Thalberg Memorial Award. He was the first recipient of the Golden Globe Cecil B. DeMille Award, which was named in his honor. DeMille's reputation had a renaissance in the 2010s and his work has influenced numerous other films and directors.